Judul : South Asian toddy cats / SAT 7-2-22 / Saya for a katana / Decorative painting on an airplane fuselage / Painting that inspired an iconic "Home Alone" movie poster / Locale for a power wash / Bathing suit portmanteau / Verbal equivalent of picking up the gauntlet / Plant that symbolized purity in ancient Egypt
link : South Asian toddy cats / SAT 7-2-22 / Saya for a katana / Decorative painting on an airplane fuselage / Painting that inspired an iconic "Home Alone" movie poster / Locale for a power wash / Bathing suit portmanteau / Verbal equivalent of picking up the gauntlet / Plant that symbolized purity in ancient Egypt
South Asian toddy cats / SAT 7-2-22 / Saya for a katana / Decorative painting on an airplane fuselage / Painting that inspired an iconic "Home Alone" movie poster / Locale for a power wash / Bathing suit portmanteau / Verbal equivalent of picking up the gauntlet / Plant that symbolized purity in ancient Egypt
Constructor: Evan KalishRelative difficulty: Easy
Word of the Day: Prix de Lausanne (57A: Competitor in the Prix de Lausanne (BALLERINA)) —
The Prix de Lausanne is an international dance competition held annually in Lausanne, Switzerland. The competition is for young dancers seeking to pursue a professional career in classical ballet, and many former prize winners of the competition are now leading stars with major ballet companies around the world. The competition is managed by a non-profit foundation organised by the Fondation en faveur de l'Art chorégraphique and is maintained by various sponsors, patrons and donors. [...] Entry is reserved for young student-dancers, aged 15 through 18, who have not yet been in professional employment and open to candidates of all nationalities. // Currently, participants are required to submit a 15–20 min digital file recording showing them performing a combination of barre and centre-work exercises in a studio environment and pay a non-refundable registration fee of CHF 120. Those candidates selected to participate in the competition pay a second fee of CHF 120. // Around 80 candidates from 30 or so countries compete each year, in the hope of being selected for the final, reserved for the best 20 among them. The final of the competition is broadcast live on television. (wikipedia)
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Sure enough, following the Munch painting, CHANT EDIT ARE got me moving, and then I could see that 15A: Sugar cubes, e.g. ended in -HEDRA, and NUT and REBUS, and with KANGAROOS off the table (probably intended as a trap answer at 17A: Certain Australian boomers (male) and flyers (female)), WALLABIES made the next most natural guess there, and so before I knew it, whoosh, that corner was done. And at that point I had the front ends of both long exit answers all cued up and reading to rocket into the center of the grid. Sadly, one of those potential rocket answers was GREAT RECESSION, an answer I don't understand wanting to build a puzzle around ever, let alone when the country is on the cusp of ... another GREAT RECESSION. It's not a "bad" answer, per se, but you make choices with your marquee answers, and I do not understand why, tonally, you'd want this one right at the heart of your puzzle. I had GREAT and wanted it to be ... something more specific, actually. More bygone. Instead it feels like when people called WWI the "Great War" or the "War to End All Wars." There's this assumption that that was *it*. That *that* was the "great" one. I feel like any minute now, God or Fate or whatever is gonna be like, "hold my beer." I tend to remember that time as "the subprime mortgage crisis," but I guess the global repercussions ballooned out from there. There's no joy in reflecting on any of this, so why is it one of your handful of marquee answers? Dunno.
I like TRIX RABBIT, but again, as with THE SCREAM, you just hand that one over like it's Monday (29D: Commercial mascot with floppy ears). And then NETFLIX SPECIAL becomes obvious and you're well set up to get into the remaining corners and finish them off. There was a brief period in there where I had SERB and KURD (LOL) before TURK (29A: Bosporus resident), and (thus) couldn't quite get a grip on ALKENE (22D: Certain hydrocarbon), but that was more or a Wednesday struggle than a Saturday struggle. And it was the only struggle this puzzle really offered. I mean, ASTRIDE LACONIC SHEATH, bam bam bam, off their first one or two letters. The SE corner never stood a chance. And if it weren't for the "???" quality of NOSE ART, or my apparent preference for the MANKINI over the TANKINI (12D: Bathing suit portmanteau), the other corners would've been just as easy. As it was, still pretty easy.
As usual, the names were the things I didn't know, but there weren't that many of them. SAL (4D: Comedian Vulcano of "Impractical Jokers") and ALI (11D: Tony-winning actress Stroker) were unknowns, but the crosses were just plowed right through them, so I didn't have to spend any time piecing them together. And I knew Rachel DRATCH (49A: "S.N.L." alum Rachel) and DELLA Reese (49D: "And That Reminds Me" singer Reese), so no trouble there. I saw Rachel DRATCH in the market at Grand Central one time, with a child that I assume was hers. That is my Rachel DRATCH story. Oh, and one of my colleagues was at Dartmouth at the same time as her. I think I got that right. So two Rachel DRATCH stories, neither of which qualifies as a story. This is me at my raconteuriest. I'm here every night.
A few more things:
- 53A: Taken charge (FEE) — a FEE is a "charge" that is "taken" (from you)
- 6D: Image problem? (REBUS) — I'm so used to thinking of REBUS in crossword terms (multiple letters, sometimes representing an image, in one square) that this kind of REBUS (the picture puzzle kind) always surprises me. A very "children's placemat" kind of puzzle. Here, see if you can figure out this one:
- 34D: Tick or tock (SEC) — Hmmm, I guess this is, literally, true. That is what the ticking (or tocking) of the clock represents: the passing of one second. I feel like I was *just* watching a documentary of some kind ... or a video online ... about how "tock" is not actually a different sound from "tick," but we talk about it as if it were ... I can't remember why this fact warranted attention. The end.
 |
| TOCK! |
See you tomorrow,
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